
Directing
Aurora Martinez is the perfect example of an empowered woman who managed to create a name for herself from her career as a director. Martínez’s films are produced almost exclusively in Mexico, with dialogue in Spanish and marketed to the Latin American population. Although her productions receive virtually no theatrical release in the United States, they can be found in many U.S. video outlets, both in VHS and DVD format. Martínez’s movies are generally in the action genre, concentrating on such staple themes as feuds between drug traffickers, illegal trade in human organs, and police investigations, and thus they are not of a kind that normally attracts the attention of foreign film critics. The two facts aforesaid likely explain why she is virtually unknown in the English-speaking world, despite her highly prolific output. Martínez appears on screen in many of her movies, though almost never in a leading role. She has often cast Mario Almada in leading roles including, Tijuana, ciudad de narcos in 1998. Her movies tend to portray extreme, explicit violence.

Death Dealers

Bachelor Party

Todo personal

The Mirror's Reflection

La zorra millonaria

Esa hembra es mala

Seeing Double

Traición Con Traición Se Paga
Sara Villanueva

La fuga del penal de Apatzingán

Son tus perjúmenes mujer

El regreso de Camelia la Chicana

Por un vestido de novia

Día de los muertos

Por tu maldito dinero
Sandra

La muerte del judicial

Me anda buscando la ley por traficante de drogas

Pueblo sin leyes

Herencia Homicida

Ahogado el niño se tapa el pozo

Ellas asesinas

My Boyfriend Is Gay
Director

Cholos empericados
Director

Por una vieja como tú
Director

And Everything Happened on the Day of the Dead
Director

White Collar Killer
Director

White Collar Killer
Writer

Death Dealers
Director

Magnicidio: Complot en Lomas Taurinas
Producer

Magnicidio: Complot en Lomas Taurinas
Writer

The True Story of the Weeping Woman
Director

24 Horas para Desaparecer un Cadáver
Director

Mi Gober Precioso
Director