
Directing · 86 years old
Paris, France
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.

Ispahan: A Persian Letter (The Chah Mosque at Ispahan)
Lui-même

The Lovely Month of May
Self (uncredited)

The Dreamed Films
Self

Chronicle of a Summer
Self

The Mad Masters
Narrator

La Nouvelle Vague par elle-même
Self

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
Himself

Letter to Jean Rouch
Self

Samba the Great
Narrator

The Doll
Officer (uncredited)

Son of Gascogne
Self

Cinématon
N°1256

My Conversations on Film
Himself

An Egg with No Shell

Encountering Jean Rouch

A Friendly Handshake

The Sons of the Water

World Without a Game
Himself

Rouch's Gang
Self

Jean Epstein, Young Oceans of Cinema
Self (archive footage)