
Directing · 94 years old
Ferrara, Emilia-Romagna, Italy
Michelangelo Antonioni, Cavaliere di Gran Croce OMRI (29 September 1912 – 30 July 2007) was an Italian modernist film director, screenwriter, editor, and short story writer. Best known for his "trilogy on modernity and its discontents" — L'Avventura (1960), La Notte (1961), and L'Eclisse (1962), as well as the English-language Blowup (1966), Antonioni "redefined the concept of narrative cinema" and challenged traditional approaches to storytelling, realism, drama, and the world at large. He produced "enigmatic and intricate mood pieces" and rejected action in favor of contemplation, focusing on image and design over character and story. His films defined a "cinema of possibilities". Antonioni received numerous awards and nominations throughout his career, including the Cannes Film Festival Jury Prize (1960, 1962), Palme d'Or (1966), and 35th Anniversary Prize (1982); the Venice Film Festival Silver Lion (1955), Golden Lion (1964), FIPRESCI Prize (1964, 1995), and Pietro Bianchi Award (1998); the Italian National Syndicate of Film Journalists Silver Ribbon eight times; and an honorary Academy Award in 1995. He is one of three directors to have won the Palme d'Or, the Golden Lion and the Golden Bear, and the only director to have won these three and the Golden Leopard.

Fame, Fashion and Photography: The Real Blow Up
Self (archive footage)

Close Up
Self (archive footage)

Michelangelo Antonioni: The Eye That Changed Cinema
Self (archive footage)

Monica Vitti, une étoile dans la nuit
Self (archive footage)

Jeanne Moreau: Free Spirit
Self - Filmmaker (archive footage)

The Oscars
Self

Room 666
Self

Farewell to Enrico Berlinguer
Self

Antonioni: Documents and Testimonials
Self

Michelangelo Eye to Eye
Self

Wandering Heart
Self

Words in Progress

Reflets de Cannes
Self

Cinéma et Réalité
Self

Un po' di Giappone
Self (uncredited)

Antonioni, la dernière séquence
himself

A Thousand and One Monica

I Am Not God But I Am Michelangelo Antonioni
Self (archive footage)

Antonioni visto da Antonioni
Self

Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima
Self