
Directing · 66 years old
Shizuoka, Shizuoka Prefecture, Japan
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.

Chikan densha: Iyarashii kôi
Man drinking sake

Tokyo Elegy
Detective

I Stand Alone - SEX & LOVE

Groper Train: Final Stop
Man groping school girl

Female Prisoners: Brutal Treatment

Wakazuma Misshitsu Bôkô Jiken

Groper Train: Start at the Back
Cameraman

Zetsukin gyaru: Yaruki munmun

Cruising Love Story
Man in gay couple

Pink Physical Examination

Cross the Lens
Self

Japanscope, panorama de la nouvelle Nouvelle Vague

In The Sea of Trees

Autumn

Unidentified Followed Objects (UFOs): An Interview with Hisayasu Sato
Self

Walking in Circles: Shinjuku with Hisayasu Satô: Part 2
Self

Lost in the Bedroom: An interview with Kyôko Nakamura
Self

I'm Being Watched: An Interview with Hisayasu Sato
Self

Walking in Circles: Shinjuku with Hisayasu Sato: Part 3
Self

Revenge in S&M: An Interview with Hisayasu Sato
Self