Directed by Bill Viola
With a title referring to Japanese folklore, wherein things done on the first day of a new year are significant, the film - an ardent dream entirely shot in Japan - stands as a spiritual allegory equating light and dark with life and death.
Shinnosuke Misawa
Man in Tokyo Night Section
Oat Boy
H*art On
One Second in Montreal
Refrains Happen Like Revolutions in a Song
Let Us Persevere in What We Have Resolved Before We Forget
Somniloquies