Fluxfilms
36 movies
Regardez moi cela suffit
Sitting on a promenade in nice with a sign: Watch me, that’s all.
La traversée du port de Nice à la nage
Swimming across Nice harbour fully clothed. Ben swims across a bay in Nice.
Sun in Your Head
"Single Frame sequences of TV or film images, with periodic distortions of the image. The images are airplanes, women men interspersed with pictures of texts like: 'silence, genius at work' and 'ich liebe dich.' The end credit is 'Television décollage, Cologne, 1963."
Zen for Film
In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.
Sears Catalogue 1-3
Each film frame is a different image from the Sears Roebuck mail order catalogue. The film places pictures of the objects sold by Sears to the consumer society side by side with pictures of female models
Dots 1 & 2
Single frame exposures of dot-screens.
Wrist Trick
Various gestures of hand held razorblade, single frame exposures.
Invocations of Canyons and Boulders (for Stan Brakhage)
"INVOCATION is Higgins' Satie movie... the purest attempt to clear art from any or all historical, esthetic, thematic, ornamental claptrap to regain the lost-eye consciousness." - Jonas Mekas
10 Feet
Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10
1000 Frames
Numerals on clear film from 1 to 1000."
Trace No. 22
Begins with a picture of Marilyn Monroe, then shifts to a female body, shot from belly button down, which is wriggling under piles of cellophane.
Trace No. 23
Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a female torso.
Trace No. 24
X-ray sequence of mouth and throat; eating, salivating, speaking.
Opus 74, Version 2
Single frame exposures, color. Different image each frame, various items in the room, etc.
Artype
Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera.
Fluxfilm No. 21
This is fluxfilm No. 21 and without a title
Readymade
Color test strip from developing tank.
Word Movie
Single frame exposures of words.
Dance
"Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall."
Police Car
Cale makes a short film called Police Car. No sound, and it is in black & white. Part #31 in the Fluxus Film series.
Je ne vois rien, je n'entends rien, je ne dis rien
Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged.
The Evil Faerie
Following a series of title cards, a man in sunglasses briefly flutters his hands like fairy. Owen Land states that this film was not made by George Landow, and believes it should be credited to John Cavanaugh. "George Maciunas had a number of films which didn’t have titles on them. Then he put them together into his Fluxus reel and tried to remember who made them. It was an intentional Fluxus joke." (Owen Land, interview with Mark Webber, 2004)
5 O'Clock in the Morning
A handful of rocks and chestnuts falling, filmed with high speed camera.
No. 4
This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.
Disappearing Music for Face
A smile gradually fades into a neutral facial expression.
Blink
Flicker: White and black alternating frames.
Smoking
Shot at 2,000 frames per second, this short shows a man exhaling smoke in incredibly slow motion.
End After 9
Word & number gag, no camera.
9 Minutes
Time counter, in seconds and minutes.
Eyeblink
A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.
One
Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.
Shout
Close-ups of two faces, shouting at each other.
Entrance to Exit
Features entrance and exit door signs, fading through black and white.
Faire un effort
Lifting and holding up a chest of drawers.
Fluxfilm No. 36
Tips of feet walking at the edge of frame, all around the frame.
Fluxfilm No. 37
Face going out of focus by layering sheets of plastic between camera and subject.